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The Internet linked the world even more than jet travel, and international museums and critics became increasingly willing to look to Latin America for upcoming artists.At the same time, Latin American artistic centres such as and to convert the indigenous people to Christianity.In areas more directly in contact with European influence, indigenous artists were taught by friars.Faced with a growing body of converts, the priests responded by creating artistic projects that clearly required the participation of these indigenous people.The Portuguese were slower to become involved in the region.Although they laid claim to Brazil for many decades, it was not until the mid-1530s that they became more directly involved, granting , or land grants, to prominent citizens.Latin American artists have often superficially accepted styles from Europe and the , modifying them to reflect their local cultures and experiences.
These regions were nevertheless indirectly influenced by the arrival of Europeans through the spread of diseases to which the natives had no resistance, the movement of native peoples away from the conquered areas, the spread of new technologies and species of plants and animals, and, finally, the importation of African slaves into those areas depopulated by their aboriginal populations.
At the time of conquest, the indigenous artists of some areas, although titularly under European dominance, in effect remained free from such control.
These artists included those in more remote areas such as southern and interior South America (especially tropical forest and desert regions), lower Central America, tropical forest Mesoamerica, and northern Mexican desert regions without mining potential.
During , numerous European scholars fled fascist oppression by exiling themselves to Latin America.
These art historians applied European scholarly methods to the body of cultural material they saw and developed a chronology for the region that related Latin American artistic styles to those of Europe.